Lines of drift: festival participation and performing a sense of place
نویسندگان
چکیده
It’s funny how the difference in each nation organised a different rhythm almost. The beat, the beat is different, it’s much faster here than in the States. Mainly in bush music it’s like that, if you call it bush music. You know this, this lagerphone? Well this lagerphone beat is usually much faster than you would hear in America, that’s the way we felt it when we first arrived. Now it’s fine, it fits, you know! But for some reason, it didn’t quite [fit], it was just a bit too fast for what I was used to from the States. (Glasco 1998)
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